about
about
Mad Rhapsody
This exhibition by MAD Architects explores architecture’s ability to reflect site, time, and spirit. Projects respond uniquely to cultural contexts,
as folk art chapters united in a rhapsody. Chapters on Naturalism, Urban Interactions, Boundaries, and a “Primeval Future” juxtapose spaces, times, and emotions to enter a broad temporality. The exhibition also features a re-creation of the “Tunnel of Light” installation, with viewing platforms in a smaller 3m “tunnel” showing river reflections. Without conforming to style restrictions, the works engage in a lively dialogue as emotional reflections. The exhibition elicits intrigue, new perspectives, and feeling through improvisation and imagination.
Professional Work
Project and image courtesy of MAD Architects
Location: Nantong Museum, China
Area: 3,600m², 9 Gallery Room
Status: Exhibited 2021/9 - 2022/2

MAD Rhapsody reframed architectural work as a spatial and narrative inquiry, using exhibition design as a research method to translate architectural ideology, speculative futures, and cultural values into a public experience.

Rather than presenting architecture as a chronological portfolio, the exhibition asked how architectural ideas could be understood as cultural positions shaped by history, nature, technology, and public life. The curatorial challenge was to translate abstract architectural thinking into an experiential narrative without flattening its complexity.

Curatorial Structure as Research
MAD Rhapsody was conceived as a six-part curatorial narrative that framed architectural work as a cultural and philosophical inquiry. Rather than a chronological retrospective, the exhibition organized projects into thematic chapters exploring classical aesthetics, future cities, nature, time, public life, and boundaries. Curation functioned as a research method, using spatial sequencing, atmosphere, and media to translate architectural ideas into public experience.
Chapter I: Naturalism

visual render


Chapter I: Naturalism, image courtesy of mad architects
Chapter II: Urban Interactions

visual render

Chapter II: Urban Interactions, image courtesy of mad architects
Chapter III: Naturescape

visual render

Chapter III: Naturescape, image courtesy of mad architects
Finale: Design

Finale: Design, image courtesy of mad architects
Installation
Implementation
The exhibition also features a re-creation of the “Tunnel of Light” installation, transforming the original 750m long Kiyotsu Gorge Tunnel revitalization at the Echigo-Tsumari Triennale into a smaller 3m “tunnel” that showcases river reflections. I worked closely with a team of spatial designers, material manufacturers, light designers, engineers, and fabricators to bring this vision from idea to life.

Tunnel of Light, image courtesy of Nacasa & Partners Inc.

"Light Tunnel" Installation, image courtesy of mad architects




design sketches & render


assembly process

Organizer
Nantong Art Museum
Co-organizer
MAD Architects
Nantong Art Museum Operations Team:
Ren Mingxing, Yao Weiwei, Xu Xiangxiang, Xie Xiaoli, Jiang Hongwen, Wang Zirong, Zhang Jingyi
Project Support:
Zhang Yuanyuan, Yan Jingjing
MAD Architects
Founding Partners:
Ma Yansong, Dang Qun, Yosuke Hayano
Curatorial Team:
Cai Yixuan, Xie Xiaozhang, Li Leyuan, Han Xiuyuan, Hanzhang Lai, Qi Ziying, Liu Guannan
Graphic Design
ZOWEE Visual
Visual Art Director: Jiang Jian
Graphic Designers: Liu Yuehan, Fu Shixin, He Jianfeng
Exhibition Installation
Shanghai Kexi Art Exhibition Services Co., Ltd.
Lighting Design
Sansin Red Sun Professional Lighting (Guangzhou), RDI Lighting Design
Multimedia Equipment
VIVITEK
Special Thanks
Leng Bingchuan, Yu Qiushi